Viktor Magyaróvári got in the spotlight first in 2011 when he won the T-com's advertising music-composing competition, the ReZene. When he was asked about who had sung the winning choir expanding more than 5 octaves from the soprans to the deep bass everybody was astonished. His answer was short: 'Me. Alone.'
Viktor was born in Mezőhegyes, Hungary. Originally, he was attending a sport school but it soon turned out that he was talented is in a different area. His 'better than perfect', so-called logarithmic hearing was discovered already in his childhood, which meant that he wasn't just capable to identify any musical note but also to tell how many Hertz it corresponded to. In order to support his musical education, his family moved to the capital from the far countryside town. At first, he attended the Béla Bartók Conservatory (where he learnt conducting, singing and composition) then he pursued his studies at Franz Liszt University of Music. After his voice changed, it turned out that due to a genetical speciality his vocal chords were able to move much easier and in a longer range than usual, but even with this talent took him almost 10 years to develop his special technique making him able to use more than 5 octaves (you may try it clicking to the tuning fork above, but don't be surprised if the lowest 'A' is too much for your laptop's loudspeakers). It happened that he sang the highest part from Kodály's Psalmus, but when the basses couldn't cope with the lowest (ever written) cadence he sang it instead of them.
His alias 'Kayamar' derives from the kamirami language - invented by himself.
Since he graduated, he has been active both as composer and singer. At the very end of 2012 he finished his first self-composed and -sung CD, Music from the Wind based on the English lyrics of the Dutch poet, Robert Keder. His genre as a stage performer is the 'multipart improvisation' - with existing/ temporary choirs or with a looper pedal ( looper pedal: 'allows the performer to record and later replay a phrase or passage from a song'). He teaches/sings 4-8 improvised parts from bass to soprano creating fully accompanied songs sometimes making even the audience sing.
His ars poetica is 'just to compose and sing and make people smile' with his phrases without phrases.